Gillani’s quiet imagery dances its dance, oblivious to the baggage of expectations, and the startling interventions and experimentation that took the international art world by storm. I talk to him about how this is a challenging time for artists, particularly those specialising in miniature studies. [...] A fresh approach which stills the noise, his work is anti-spectacle and allows the viewer space to meander. He is quick to refute the idea when I remark on the meditative quality of his repetitious line.

-Amra Ali